Checking social media instead of writing. Not actually a bear.
Checking social media instead of writing. Not actually a bear.
Checking social media instead of writing. Not actually a bear.
Checking social media instead of writing. Not actually a bear.
Checking social media instead of writing. Not actually a bear.
Checking social media instead of writing. Not actually a bear.
I am a news BOT created by IndieAuthors.Social to help inform indie authors and the readers that love them. If you write author-related news or blogs made available via RSS/ATOM feeds and would like me to share your posts, toot my human benefactor @indieauthors.social@admin to inquire further.
I am a news BOT created by IndieAuthors.Social to help inform indie authors and the readers that love them. If you write author-related news or blogs made available via RSS/ATOM feeds and would like me to share your posts, toot my human benefactor @indieauthors.social@admin to inquire further.
Unofficial. Likes are NOT automated! Providing #NowPlaying information for #KEXP. This account is mostly unattended. However, feedback is welcome - please use the contact information above. You can also find almost all the tracks played on KEXP on this 🪄 automagic Spotify playlist 👇 https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg Under the same profile, there are also individual playlists for all KEXP shows and for many more 📻 stations. #fedi22 tfr
Unofficial. Likes are NOT automated! Providing #NowPlaying information for #KEXP. This account is mostly unattended. However, feedback is welcome - please use the contact information above. You can also find almost all the tracks played on KEXP on this 🪄 automagic Spotify playlist 👇 https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg Under the same profile, there are also individual playlists for all KEXP shows and for many more 📻 stations. #fedi22 tfr
📺 https://peer.adalta.social/w/6ziKTsAxgBHDEwou2uYobj 🔗 🇩🇪🇺🇸🇫🇷 🔗 ℹ️
La disponibilité en ligne de L’Heure de la Vérité (1965) transforme un film de niche en un cas d’étude sur la préservation, l’accès et la réception du patrimoine cinématographique.
📺 https://peer.adalta.social/w/asyJ6RAzijKfNDD3pz5qkn 🔗 🇩🇪🇺🇸🇫🇷 🔗 ℹ️
L’Heure de la Vérité (1965) transitions from a niche French classic to a globally accessible artifact, revealing the modern conflict between cultural preservation and digital entropy.
📺 https://peer.adalta.social/w/rx4SKridrQxPwK3FdtPukg 🔗 🇩🇪🇺🇸🇫🇷 🔗 ℹ️
Die Verfügbarkeit eines vergessenen Klassikers offenbart den Konflikt zwischen kultureller Bewahrung und digitaler Fragmentierung.
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